Peer Reviewed
- Edition: The Honest Whore, Part 1
The Honest Whore, Part 1 (Quarto 2, 1604)
- Introduction
- The Honest Whore, Parts 1 and 2: Acknowledgements
- The Honest Whore, Parts 1 and 2: Abbreviations
- The Honest Whore, Parts 1 and 2: Introduction
- The Honest Whore, Parts 1 and 2: Analysis of the Plays
- The Honest Whore, Parts 1 and 2: The Plays in Performance
- The Honest Whore, Parts 1 and 2: Textual Introduction
- The Honest Whore, Parts 1 and 2: Appendices
- Texts of this edition
- Facsimiles
SCENA 10.
1702Enter a seruant setting out a Table, on which he places
1703a scull, a picture, a booke and a Taper.
1706gentle craft are gentlemen euery Monday by their Copy,
1709my deske, here my light; this my close chamber, and heere
1711makes me halfe a Priest, halfe a Chandler, halfe a paynter,
1712halfe a Sexton, I & halfe a Bawd: for (all this day) my office
1713is to do nothing but keep the dore. To proue it, looke you,
1715back's turnd) wilbe naught together. Enter Hipolito.
1717of a Courtier that hath stood in three raignes.
1719The Calender, both of my solemne vowes,
1720And ceremonious sorrow: Get thee gone,
1721I charge thee on thy life, let not the sound
1722Of any womans voyce pierce through that dore.
1727wind, the other wet you too much. What to supper?
1729stancy of a woman.
1730Ser. Indeed thats harder to come by then euer was
1731Ostend.
1732Hip. Prythee away.
1734uants will doe for their Lords; but rather helpe to make
1735them away: Now to my dore-keeping, I hope to picke
1737Hip. My Infelices face: her brow, her eye,
Hath
CVRTIZAN.
1742The reason why fond women loue to buy
1743Adulterate complexion: here tis read,
1745Of all the Roses grafted on her cheekes,
1746Of all the graces dauncing in her eyes,
1748Of all that was past womans excellence,
1749In her white bosome, looke! a painted board,
1751Nothing of her, but this? this cannot speake,
1752It has no lap for me to rest vpon,
1753No lip worth tasting: here the wormes will feed,
1754As in her coffin: hence then idle Art,
1756Here art thou drawne sweet maid, till this be dead,
1757So that thou liu'st twice, twice art buried.
1759Perhaps this shrewd pate was mine enimies:
1760Las! say it were: I need not feare him now.
1761For all his braues, his contumelious breath,
1762His frownes (tho dagger-pointed) all his plots
1764His quarrels, and (that common fence) his law,
1765See, see, they're all eaten out; here's not left one?
1766How cleane they're pickt away! to the bare bone!
1767How mad are mortals then to reare great names
1771Be hung with gawdy trappings, with what course:
1773Yet (after all) their Gay-nes lookes thus foule.
1774What fooles are men to build a garish tombe,
1776To maintein't long in stincking, make good carion,
G But
THE CONVERTED
1778For good deedes keepe men sweet, long aboue ground,
1781Draw me my picture then, thou graue neate workman,
1784But heres a fellow; that which he layes on,
1785Till doomes day alters not complexion.
1787And liue by wicked faces, are but Gods Apes,
1788They come but neere the life, and there they stay,
1789This fellow drawes life to: his Art is fuller,
1790The pictures which he makes are without coulour.
1791Enter his seruant.
1793Hip. Hah!
1795Hip. Vicar?
1797youth, a very youth.
1798Hip. What youth? of man or woman? lock the dores.
1799Ser. If it be a woman, mary-bones and Potato pies keepe
1800me for medling with her, for the thing has got the breeches,
1801tis a male-varlet sure my Lord, for a womans tayler neare
1802measurd him.
1805lies.
1810Fata si liceat mihi,
1811Fingere arbitrio meo,
1812Temperem Zephyro leuivela.
Cedars
CVRTTIZAN.
1815Enter Bellafronte like a Page.
1817Bell. Yes my Lord.
1819Bell. Not all in health my Lord.
1821Bell. I do:
1822Hard fate when women are compeld to wooe.
1824Bell. Yes my Lord,
1825Matter of life it speakes, and therefore writ
1828Till you both meet) I can the text display.
1830Bell. I am already out:
1833Ser. Call you my Lord?
1837than a Page: good my Lord Boon couragio.
1839And thou art dambd for't.
1840Ser. Not dambd I hope for putting in a woman to a Lord.
1842Purge this infected chamber of that plague,
1843That runnes vpon me thus: Slaue, thrust her hence.
1845without helpe: come Mermaid you must to Sea agen.
1847Here me but speake.
1848Hip. Another beates the dore,
1849T'other Shee-diuell, looke.
1851Hip. Hence, guard the chamber: let no more come on,
G 2 One
THE CONVERTED
1852One woman serues for mans damnation,
1855That ere was entred in the court of heauen:
1856I was on meditations spottles wings,
1857vpon my iourney thither; like a storme
1858Thou beatst my ripened cogitations,
1861Bell. If woman were thy mother; if thy hart,
1862Bee not all Marble, (or ift Marble be)
1863Let my teares soften it, to pitty me,
1865Destroy a woman.
1868I would not grant it to a kneeling Queene,
1869I cannot loue thee, nor I must not: See,
1870The copy of that obligation,
1871Where my soul's bound in heauy penalties.
1874Were thine eyes cleere as mine, thou mightest behold her,
1875Watching vpon yon battlements of starres,
1877This bord would riue in twaine, these wooden lippes
1881Ile haue thee fellowes? All are fellowes there.
1884If not, and that againe, sinnes path I tread,
1885The griefe be mine, the guilt fall on thy head.
1887Aske counsell of this head whats to be done,
1888Hele strike it dead that tis damnation,
1889If you turne turke againe, oh doe it not,
The
CVRTIZAN.
1890The heauen cannot allure you to do well
1891From doing ill let hell fright you: and learne this,
1896How now: who comes. Enter his seruant.
1899he had haires at his mouth, for feare he should be a woman, for
1900some women haue beardes, mary they are halfe witches,
1901Slid you are a sweete youth to weare a codpeece, and haue no
1902pinnes to stick vpont.
1904I cannot: but at morrow rising Sunne
1905I will not faile: goe woman fare thee well. Exeunt.
1908From this vndoing Cittie, aud with teares,
1912Is (as with me) common to thousands more,
1914Has oft bin heard, that woman hardly found. Exit.