[34] The commentary at this point refers to the printed text of the play, published as An Humorous Day’s Mirth in 1599. [35] George Chapman, An Humorous Day’s Mirth, ed. by Charles Edelman (Manchester: Manchester University Press, 2010), 7.81n; M. Tulli Ciceronis, De Officiis, ed. by Hubert Ashton Holden (Cambridge, 1899), p. 119. [36] English Literary Autographs 1550-1650, ed. by W.W. Greg, J.P. Gilson, Hilary Jenkinson, R.B. McKerrow and A.W. Pollard (Oxford: Oxford University Press, 1925-32). [37] L.A. Cummings, Geo: Chapman his Crowne and Conclusion: A Study of his Handwriting (Salzburg: Universität Salzburg, 1989). [38] Dictionary of National Biography, ed. by Leslie Stephen and Sidney Lee, 22 vols (Oxford: Oxford University Press, 1921-22), IV, p. 809. [39] For examples of cancellaresca corsiva see A. J. Fairbank and R. W. Hunt, Humanistic Script of the Fifteenth and Sixteenth Centuries (Oxford: Oxford University Press, 1960), specimens 18-21; Anthony G. Petti, English Literary Hands from Chaucer to Dryden (London: Edward Arnold, 1977), p. 18. [40] Samuel A. Tannenbaum, The Handwriting of the Renaissance (New York: Columbia University Press, 1930; repr. New York: Frederick Ungar, 1967), p. 61. [41] Beth Goldring, ‘Cor.’s Rescue of Kent’, in The Division of the Kingdoms: Shakespeare’s Two Versions of ‘King Lear’, ed. by Gary Taylor and Michael Warren (Oxford: Clarendon Press, 1983), pp. 143-51. [42] Goldring, p. 147; R. B. McKerrow, ‘The Treatment of Shakespeare’s Text by his Earlier Editors, 1709-1768’, Annual Shakespeare Lecture of the British Academy, 1933 (1933), p. 19.