[12] Scott McMillin, ‘The Rose and the Swan’, in The Development of Shakespeare’s Theater, ed. by John H. Astington (New York: AMS Press, 1992), pp. 159-83 (p. 177). [13] Andrew Gurr, ‘The Rose Repertory: What the plays might tell us about the stage’, in New Issues in the Reconstruction of Shakespeare’s Theatre, ed. by Franklin J. Hildy (New York: Peter Lang, 1990), pp. 119-34 (p. 133). [14] Titus Andronicus, 1.1.69.7; Gurr, ‘The Rose Repertory’, p. 128. [15] Robert Weimann, Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and Function (Baltimore, London: John Hopkins University Press, 1978), p. 79. [16] Robert Weimann, Author’s Pen and Actor’s Voice: Playing and Writing in Shakespeare’s Theatre (Cambridge: Cambridge University Press, 2000), pp. 194-95. [17] Weimann, Author’s Pen and Actor’s Voice, p. 212. [18] Manfred Pfister, The Theory and Analysis of Drama, trans. by John Halliday (Cambridge: Cambridge University Press, 1988), p. 138.