2Other Works

Albala, Ken, Eating Right in the Renaissance (Berkeley, Los Angeles, London: University of California Press, 2002)

Barton, Anne, Ben Jonson, Dramatist (Cambridge: Cambridge University Press, 1984)

Baskervill, Charles Read, English Elements in Jonsonʼs Early Comedy (Reprint of University of Texas Bulletin No. 178, Austin, Texas, 1911)

Baskervill, Charles Read, The Elizabethan Jig and Related Song Drama (Chicago: University of Chicago Press, 1929; repr. New York: Dover, 1965)

Batman, Stephen, The Golden Book of the Leaden Gods (1577)

Beaumont, Francis, and John Fletcher, Dramatic Works, gen. ed. Fredson Bowers, 10 vols (Cambridge: Cambridge University Press, 1966-1996)

Berger, Thomas L., William C. Bradford, and Sidney L. Sondergard, An Index of Characters in Early Modern English Drama: Printed Plays, 1500-1660, rev. edn (Cambridge: Cambridge University Press, 1998)

The Bible, ed. by Robert Carroll and Stephen Prickett (Oxford, New York: Oxford University Press, 1997)

Boccaccio, Giovanni, Decameron, trans. by J. M. Rigg, 2 vols (London: Henry F. Bumpus, 1906)

The Book of Common Prayer (Oxford: University Press for the Society for Promoting Christian Knowledge, 1901?)

Bowsher, Julian M. C., and Simon Blatherwick, ‘The Structure of the Roseʼ, in New Issues in the Reconstruction of Shakespeareʼs Theatre, ed. by Franklin J. Hildy (New York: Peter Lang, 1990), pp.55-78

Brereton, J. Le Gay, ‘Notes on the Texts of Chapmanʼs Playsʼ, Modern Language Review, 3 (1907-08), 56-68

Brome, Richard, Dramatic Works, 3 vols (London: John Pearson, 1873)

Brome, Richard, Richard Brome Online, gen. ed. Richard Cave (Sheffield: HRI Online, 2010), http://hrionline.ac.uk/brome/

Brown, John Russell, Shakespeareʼs Dramatic Style (London: Heinemann, 1970)

Burton, Robert, The Anatomy of Melancholy, ed. by Thomas C. Faulkner, Nicolas K. Kiessling and Rhonda L. Blair, 3 vols (Oxford: Clarendon Press, 1989)

Buttes, Henry, Dietʼs Dry Dinner (1599)

The Letters of John Chamberlain, ed. by Norman Egbert McClure, 2 vols (Philadelphia: The American Philosophical Society, 1939)

Chambers, E. K., The Elizabethan Stage, 4 vols (Oxford: Clarendon Press, 1923; repr. 1967)

Chapman, George, The Poems, ed. by Phyllis Brooks Bartlett (New York: Modern Language Association of America; London: Oxford University Press, 1941; repr. New York: Russell & Russell, 1962)

Chapman, George, The Plays: The Tragedies, gen. ed. Allan Holaday (Cambridge: D. S. Brewer, 1987)

Chapman, George, George Chapman: Plays and Poems, ed. by Jonathan Hudston, Renaissance Dramatists (London: Penguin, 1998)

Chapman, George, Chapmanʼs Homer: The Iliad, ed. by Allardyce Nicoll, rev. edn (Princeton, NJ: Princeton University Press, 1998)

Chaucer, Geoffrey, The Riverside Chaucer, gen. ed. Larry D. Benson, 3rd edn (Oxford: Oxford University Press, 1988)

Church of England, Certain Sermons or Homilies Appointed to be Read in Churches (1562; repr. London: Society for Promoting Christian Knowledge)

Cicero, Tusculan Disputations, trans. by J. E. King (London: William Heinemann; Cambridge, MA: Harvard University Press, 1927; repr. 1950)

Cicero, Tusculan Disputations I, ed. by A. E. Douglas (Warminster: Aris & Phillips; Chicago: Bolchazy-Carducci, 1985)

Clark, Peter, The English Alehouse: A Social History, 1200-1830 (London, New York: Longman, 1983)

Colynet, Antony, The True History of the Ciuill Warres of France Betweene Henry the 4 and the Leaguers (1591)

Cordner, Michael, ‘Annotation and Performance in Shakespeareʼ, Essays in Criticism, 46 (1996), 289-301

Cordner, Michael, ‘Actors, Editors, and the Annotation of Shakespearian Playscriptsʼ, Shakespeare Survey, 55 (2002), 181-98

Cotgrave, Randle, A Dictionarie of the French and English Tongues (London, 1611; Columbia: University of South Carolina Press, 1950; repr. 1968)

Craven, Alan E., ‘The Compositors of the Shakespeare Quartos Printed by Peter Shortʼ, Papers of the Bibliographical Society of America, 65 (1971), 393-97

Craven, Alan E., ‘Proofreading in the Shop of Valentine Simmesʼ, Papers of the Bibliographical Society of America, 68 (1974), 361-72

Cummings, L. A., Geo: Chapman his Crowne and Conclusion: A Study of his Handwriting (Salzburg: Universität Salzburg, 1989)

Davies, John, The Scourge of Folly (1611)

Davies, John, Sir, The Poems of Sir John Davies, ed. by Robert Krueger (Oxford: Clarendon Press, 1975)

Deighton, K., The Old Dramatists: Conjectural Readings (Westminster: A. Constable, 1896)

Dekker, Thomas, Dramatic Works, ed. by Fredson Bowers, 3 vols (Cambridge: Cambridge University Press, 1955)

Dent, R. W., Proverbial Language in English Drama Exclusive of Shakespeare, 1495-1616: An Index (Berkeley, Los Angeles, London: University of California Press, 1984)

Dessen, Alan C., Elizabethan Drama and the Viewerʼs Eye (Chapel Hill: University of North Carolina Press, 1977)

Dessen, Alan C., Elizabethan Stage Conventions and Modern Interpreters (Cambridge: Cambridge University Press, 1984)

Dessen, Alan C., and Leslie Thomson, A Dictionary of Stage Directions in English Drama, 1580-1642 (Cambridge: Cambridge University Press, 1999)

Dictionary of National Biography, ed. by Leslie Stephen and Sidney Lee, 22 vols (Oxford: Oxford University Press, 1921-22)

Diehl, Huston, An Index of Icons in English Emblem Books 1500-1700 (Norman, London: University of Oklahoma Press, 1986)

Donne, John, The Complete English Poems, ed. by A. J. Smith (London: Penguin, 1971; repr. 1986)

Doran, Madeleine, Endeavors of Art: A Study of Form in Elizabethan Drama (Madison, Milwaukee, London: University of Wisconsin Press, 1954; repr. 1972)

The Divine Weeks and Works of Guillaume de Saluste, Sieur du Bartas, trans. by Josuah Sylvester, ed. by Susan Snyder, 2 vols (Oxford: Clarendon Press, 1979)

Eccles, Mark, ‘Chapmanʼs Early Yearsʼ, Studies in Philology, 43 (1946), 176-93

Egan, Gabriel, ‘“Geometrical” hinges and the frons scenae of the Globeʼ, Theatre Notebook, 52 (1998), 62-4

Eliot, John, Ortho-epia Gallica: Eliotʼs Fruits for the French (1593)

Fabricius, Johannes, Syphilis in Shakespeareʼs England (London, Bristol, PA: Jessica Kingsley, 1994)

Fairbank, A. J., and R. W. Hunt, Humanistic Script of the Fifteenth and Sixteenth Centuries (Oxford: Oxford University Press, 1960)

Fenton, Geffraie, Certain Tragical Discourses of Bandello, 2 vols (New York: AMS Press, 1967)

Fischer, Sandra K., Econolingua: A Glossary of Coins and Economic Language in Renaissance Drama (Newark: University of Delaware Press; London and Toronto: Associated University Presses, 1985)

Fleay, F. G., English Drama 1559-1642, 2 vols (London: Reeves and Turner, 1891)

Florio, John, A Worlde of Wordes (London, 1598)

Florio, John, Queen Annaʼs New World of Words (1611; Menston: Scolar Press, 1968)

Foakes, R. A., ‘The discovery of the Rose Theatre: some implicationsʼ, Shakespeare Survey, 43 (1990), 141-8

Foakes, R. A., ed., Hensloweʼs Diary, 2nd edn (Cambridge: Cambridge University Press, 2002)

Ford, John, ‘Tis Pity Sheʼs A Whoreʼ and Other Plays, ed. by Marion Lomax, Oxford Drama Library (Oxford: Clarendon Press, 1995)

Friedlander, Walter J., The Golden Wand of Medicine: A History of the Caduceus Symbol in Medicine (New York: Greenwood Press, 1992)

Frye, Northrop, ‘Shakespeareʼs Comedy of Humorsʼ, in Northrop Frye on Literature and Society, 1936-1989: Unpublished Papers, ed. by Robert D. Denham, 10 vols (Toronto, Buffalo, London: University of Toronto Press, 2002), X, pp. 144-59

Gaskell, Philip, A New Introduction to Bibliography (Oxford: Clarendon Press, 1972; repr. 1985)

Gibbons, Brian, Jacobean City Comedy, 2nd edn (London, New York: Methuen, 1980)

Goldring, Beth, ‘Cor.ʼs Rescue of Kentʼ, in The Division of the Kingdoms: Shakespeareʼs Two Versions of ‘King Learʼ, ed. by Gary Taylor and Michael Warren (Oxford: Clarendon Press, 1983), pp. 143-51

Grant, Thomas Mark, The Comedies of George Chapman: A Study in Development (Salzburg: Universität Salzburg, 1972)

Greene, Robert, Orlando Furioso, ed. by W. W. Greg (Oxford: Malone Society, 1907)

Greg, W. W., Dramatic Documents from the Elizabethan Playhouses: Commentary (Oxford: Clarendon Press, 1931)

Greg, W. W., ed., A Bibliography of the English Printed Drama to the Restoration, 4 vols (London: Bibliographical Society, 1939-59)

Greg, W. W., ed., with J. P. Gilson, Hilary Jenkinson, R. B. McKerrow, A. W. Pollard, English Literary Autographs 1550-1650 (Oxford: Oxford University Press, 1925-32)

Gurr, Andrew, ‘The Rose Repertory: What the plays might tell us about the stageʼ, in New Issues in the Reconstruction of Shakespeareʼs Theatre, ed. by Franklin J. Hildy (New York: Peter Lang, 1990), pp.119-34

Gurr, Andrew, The Shakespearian Playing Companies (Oxford: Clarendon Press, 1996)

Gurr, Andrew, ‘Stage doors at the Globeʼ, Theatre Notebook, 53 (1999), 8-18

Gurr, Andrew, and Mariko Ichikawa, Staging in Shakespeareʼs Theatres (Oxford: Oxford University Press, 2000)

Harbage, Alfred, and S. Schoenbaum, Annals of English Drama, 975-1700, 2nd edn (London: Methuen, 1964)

Hattaway, Michael, Elizabethan Popular Theatre (London: Routledge & Kegan Paul, 1982)

Haynes, Jonathan, The Social Relations of Jonsonʼs Theater (Cambridge: Cambridge University Press, 1992)

Hazlitt, W. Carew, Handbook to the Popular, Poetical, and Dramatic Literature of Great Britain, from the Invention of Printing to the Restoration (London: John Russell Smith, 1867)

Heawood, Edward, Watermarks Mainly of the 17th and 18th Centuries (Hilversum: Paper Publications Society, 1950)

Herrick, Robert, Complete Poetry, ed. by J. Max Patrick (New York: New York University Press, 1963)

Heywood, Thomas, Apology for Actors (1612)

Heywood, Thomas, Loveʼs Mistress, or The Queenʼs Masque, ed. by Edmund Goldsmid (Edinburgh: privately printed, 1886)

Heywood, Thomas, Three Marriage Plays: The Wise-Woman of Hogsdon, The English Traveller, The Captives, ed. by Paul Merchant, Revels Plays (Manchester: Manchester University Press, 1996)

Heywood, Thomas, A Woman Killed with Kindness, ed. by R. W. Van Fossen, Revels Plays (Manchester: Manchester University Press, 1961)

Hodges, Devon L., Renaissance Fictions of Anatomy (Amherst: University of Massachusetts Press, 1985)

Hunter, G. K., English Drama, 1586-1642: The Age of Shakespeare, Oxford History of English Literature VI (Oxford: Clarendon Press, 1997)

Ichikawa, Mariko, Shakespearean Entrances (Basingstoke, New York: Palgrave Macmillan, 2002)

Jonson, Ben, Ben Jonson [Works], ed. by C. H. Herford and Percy and Evelyn Simpson, 11 vols (Oxford: Clarendon Press, 1925-1952)

Jonson, Ben, ‘The Alchemistʼ and other plays, ed. by Gordon Campbell, Oxford Worldʼs Classics (Oxford: Oxford University Press, 1995)

Jonson, Ben, The Devil is an Ass, ed. by Peter Happé, Revels Plays (Manchester: Manchester University Press, 1994)

Jonson, Ben, ‘The Devil Is An Assʼ and Other Plays, ed. by Margaret Jane Kidnie, Oxford Worldʼs Classics (Oxford: Oxford University Press, 2000)

Jonson, Ben, Epicene, or The Silent Woman, ed. by Richard Dutton, Revels Plays (Manchester: Manchester University Press, 2003)

Jonson, Ben, Every Man in His Humour, ed. by Robert S. Miola, Revels Plays (Manchester: Manchester University Press, 2000)

Jonson, Ben, Every Man out of His Humour, ed. by Helen Ostovich, Revels Plays (Manchester: Manchester University Press, 2001)

Jonson, Ben, ‘Hymenaeiʼ, in Jacobean and Caroline Masques, ed. by Richard Dutton, 2 vols (Nottingham: Nottingham University Press, 1981), I

Jonson, Ben, Poetaster, ed. by Tom Cain, Revels Plays (Manchester: Manchester University Press, 1995)

Kidnie, Margaret Jane, ‘“Suit the action to the word”: an Early Seventeenth-Century Allusion to Hamlet in Performanceʼ, Theatre Notebook, 49 (1995), 62-5

Koeppel, Emil, Quellen-Studien zu den Dramen George Chapmanʼs, Philip Massingerʼs und John Fordʼs (Strassburg: Karl J. Trübner, 1897)

Kreider, Paul V., Elizabethan Comic Character Conventions as Revealed in the Comedies of George Chapman (Ann Arbor: University of Michigan Press, 1935)

Kyd, Thomas, The Spanish Tragedy, ed. by Philip Edwards, Revels Plays (Manchester, New York: Manchester University Press, 1959; repr. 1995)

Lily, William, and John Colet, A Short Introduction of Grammar 1549 (Menston: Scolar Press, 1970)

Linthicum, M. Channing, Costume in the Drama of Shakespeare and his Contemporaries (Oxford: Clarendon Press, 1936)

Long, William B., ‘Stage-Directions: A Misinterpreted Factor in Determining Textual Provenanceʼ, TEXT, 2 (1985), 121-37

Lyly, John, Complete Works, ed. by R. Warwick Bond, 3 vols (Oxford: Clarendon Press, 1902)

Lyra Graeca, trans. by J. M. Edmonds, 3 vols (London: William Heinemann; Cambridge, MA: Harvard University Press, 1922; repr. 1963)

MacIntyre, Jean, Costumes and Scripts in the Elizabethan Theatres (Alberta: University of Alberta Press, 1992)

MacLure, Millar, George Chapman: A Critical Study (Toronto: University of Toronto Press, 1966)

McKenzie, D. F., ‘Printers of the Mind: Some Notes on Bibliographical Theories and Printing-House Practicesʼ, Studies in Bibliography, 22 (1969), 1-75

McKerrow, R. B., gen. ed., A Dictionary of Printers and Booksellers in England, Scotland and Ireland, and of Foreign Printers of English Books 1557-1640 (London: Bibliographical Society, 1910)

McKerrow, R. B., ‘The Treatment of Shakespeareʼs Text by his Earlier Editorsʼ, Annual Shakespeare Lecture of the British Academy, 1933 (1933)

McMillin, Scott, ‘The Rose and the Swanʼ, in The Development of Shakespeareʼs Theater, ed. by John H. Astington (New York: AMS Press, 1992), pp.159-83

Malone Society, Collections IX (Oxford: Malone Society, 1977)

Markham, Gervase, The English Housewife, ed. by Michael R. Best (Montreal, Kingston, London, Buffalo: McGill-Queenʼs University Press, 1986; repr. 1994)

Marlowe, Christopher, The Complete Plays, ed. by Frank Romany and Robert Lindsey (London: Penguin, 2003)

Marlowe, Christopher, Edward the Second, ed. by Martin Wiggins and Robert Lindsey, New Mermaids, 2nd edn (London: A & C Black, 1997)

Marlowe, Christopher, The Jew of Malta, ed. by N. W. Bawcutt, Revels Plays (Manchester: Manchester University Press; Baltimore: John Hopkins University Press, 1978)

The Marriage Between Wit and Wisdom, ed. by Trevor N. S. Lennam, (Oxford: Malone Society, 1971 for 1966)

Marston, John, The Fawn, ed. by David A. Blostein, Revels Plays (Manchester: Manchester University Press; Baltimore: John Hopkins University Press, 1978)

Masson, David, Drummond of Hawthornden: The Story of his Life and Writings (London: Macmillan, 1873)

Meres, Francis, Palladis Tamia (1598)

Middleton, Thomas, The Family of Love, ed. by Simon Shepherd, Nottingham Drama Texts (Nottingham: Nottingham University Press, 1979)

Montaigne, Michel de, Essays, trans. by John Florio, 3 vols (London: Grant Richards, 1908)

Munday, Anthony, John a Kent and John a Cumber, ed. by Arthur E. Pennell (New York and London: Garland, 1980)

Munk, William, The Roll of the Royal College of Physicians of London, 2nd edn, 3 vols (London: Royal College of Physicians, 1878)

Navarro, J. Huarte, The Examination of Mens Wits (1594; Amsterdam, New York: Da Capo Press, 1969)

Neill, Michael, Issues of Death: Mortality and Identity in English Renaissance Tragedy (Oxford: Clarendon Press, 1997)

Orrell, John, and Andrew Gurr, ‘What the Rose can tell usʼ, Times Literary Supplement, 9-15 June 1989, 636 and 649

The Oxford English Dictionary, 2nd edn, prep. by J. A. Simpson and E. S. C. Weiner, 20 vols (Oxford: Clarendon Press, 1989)

Oxford Latin Dictionary, ed. by P. G. W. Glare, 2 vols (Oxford: Clarendon Press, 1968- 1976)

Parkes, M. B., Pause and Effect: An Introduction to the History of Punctuation in the West (Aldershot: Scolar Press, 1992)

Paster, Gail Kern, The Body Embarassed: Drama and the Disciplines of Shame in Early Modern England (Ithaca, New York: Cornell University Press, 1993)

Petti, Anthony G., English Literary Hands from Chaucer to Dryden (London: Edward Arnold, 1977)

Pfister, Manfred, The Theory and Analysis of Drama, trans. by John Halliday (Cambridge: Cambridge University Press, 1988)

Plutarch, Plutarchʼs Lives VII, trans. by Bernadotte Perrin (London: William Heinemann; Cambridge, MA: Harvard University Press, 1919; repr. 1967)

Porter, Henry, The Two Angry Women of Abington, ed. by Marianne Brish Evett (New York, London: Garland, 1980)

Porter, Henry, The Two Angry Women of Abington, ed. by Michael Jardine and John Simons, (Nottingham: Nottingham Drama Texts, 1987)

Porter, Joseph A., Shakespeareʼs Mercutio: His History and Drama (Chapel Hill and London: University of North Carolina Press, 1988)

Potter, David, ‘Marloweʼs Massacre at Paris and the Reputation of Henri III of Franceʼ, in Christopher Marlowe and English Renaissance Culture, ed. by Darryll Grantley and Peter Roberts (Aldershot: Scolar Press, 1996), pp.70-95

Povey, K., ‘On the Diagnosis of Half-Sheet Impositionsʼ, The Library, 9 (1956), 268-72

Preston, Thomas, Cambyses, King of Persia, ed. by Robert Carl Johnson (Salzburg: Universität Salzburg, 1975)

Radice, Betty, Whoʼs Who in the Ancient World (London: Anthony Blond, 1971)

Richardson, Catherine, ‘Properties of domestic life: the table in Heywoodʼs A Woman Killed with Kindness‘, in Staged Properties in Early Modern English Drama, ed. by Jonathan Gil Harris and Natasha Korda (Cambridge: Cambridge University Press, 2002)

Robertson, Jean, ‘The Early Life of George Chapmanʼ, Modern Language Review, 40 (1945), 157-165

Rowley, Samuel, When You See Me, You Know Me, ed. by John Crow (Oxford: Malone Society, 1952)

Salg{_a}do, G{_a}mini, The Elizabethan Underworld (Totowa, NJ: Rowman and Littlefield; London: J M Dent, 1977)

Savage, James E., Ben Jonsonʼs Basic Comic Characters and Other Essays ([Hattiesburg]: University and College Press of Mississippi, 1973)

Sawday, Jonathan, The Body Emblazoned: Dissection and the Human Body in Renaissance Culture (London, New York: Routledge, 1995)

Scott-Warren, Jason, ‘When Theatres Were Bear-Gardens; or, Whatʼs at Stake in the Comedy of Humorsʼ, Shakespeare Quarterly, 54 (2003), 63-82

Shakespeare, William, The Complete Works: Compact Edition, ed. by Stanley Wells, Gary Taylor, John Jowett, and William Montgomery (Oxford: Clarendon Press, 1988)

Shakespeare, William, As You Like It, ed. by Alan Brissenden, Oxford Worldʼs Classics (Oxford: Clarendon Press, 1993)

Shakespeare, William, Cymbeline, ed. by Roger Warren, Oxford Worldʼs Classics (Oxford: Clarendon Press, 1998)

Shakespeare, William, Hamlet (1603), prep. by W. W. Greg, Shakespeare Quarto Facsimiles (London: The Shakespeare Association and Sidgwick Jackson, 1951)

Shakespeare, William, Loveʼs Labourʼs Lost, ed. by H. R. Woudhuysen, Arden 3 (Walton-on-Thames: Thomas Nelson, 1998)

Shakespeare, William, Richard II, ed. by Charles R. Forker, Arden 3 (London: Thomson, 2002)

Shakespeare, William, Richard II, ed. by Andrew Gurr, New Cambridge (Cambridge: Cambridge University Press, 2003)

Shakespeare, William, Richard III, ed. by John Jowett (Oxford: Oxford University Press, 2000)

Shakespeare, William, Twelfth Night, or What You Will, ed. by Roger Warren and Stanley Wells (Oxford: Clarendon Press, 1994)

Sisson, C. J., and Robert Butman, ‘George Chapman, 1612-22: Some New Factsʼ, Modern Language Review, 46 (1951), 185-190

Skelton, John, Magnificence, ed. by Paula Neuss, Revels (Manchester: Manchester University Press; Baltimore: John Hopkins University Press, 1980)

Spenser, Edmund, The Faerie Queene, ed. by A. C. Hamilton (London, New York: Longman, 1977)

Spenser, Edmund, The Faerie Queene, ed. by Thomas P. Roche (London: Penguin, 1978; repr. 1987)

Spivack, Charlotte, George Chapman (New York: Twayne, 1967)

Tailor, Robert, The Hog hath Lost his Pearl, ed. D. F. McKenzie (Oxford: Malone Society, 1972 for 1967)

Tannenbaum, Samuel A., Shaksperian Scraps and other Elizabethan Fragments (New York: Columbia University Press, 1933)

Tannenbaum, Samuel A., The Handwriting of the Renaissance (New York: Columbia University Press, 1930; repr. New York: Frederick Ungar, 1967)

Terence, Works, trans. by John Sargeaunt, 2 vols (Cambridge, MA: Harvard University Press; London: William Heinemann, 1959)

Thayer, C. G., Ben Jonson: Studies in the Plays (Norman: University of Oklahoma Press, 1963)

Tilley, Morris Palmer, A Dictionary of the Proverbs in England in the Sixteenth and Seventeenth Centuries (Ann Arbor: University of Michigan Press, 1950)

Tribble, Evelyn B., Margins and Marginality: The Printed Page in Early Modern England (Charlottesville, London: University Press of Virginia, 1993)

Turner, William, A Newe Dialogue Wherein is Conteyned the Examinati{_o} of the Messe (London, 1548)

Versiani Galery, Maria Clara, ‘Staging Practices in the Elizabethan Theater: Titus Andronicus at the Roseʼ, in Foreign Accents: Brazilian Readings of Shakespeare, ed. by Aimara da Cunha Resende (Newark: University of Delaware Press; London: Associated University Presses, 2002), pp.100-13

Vitkus, Daniel J., ed., Three Turk Plays from Early Modern England (New York, Chichester: Columbia University Press, 2000)

Wager, William, ‘The Longer thou Livestʼ and ‘Enough is as Good as a Feastʼ, ed. by R. Mark Benbow, Regents Renaissance Drama Series (London: Edward Arnold, 1968)

Webster, John, ‘The Duchess of Malfiʼ and Other Plays, ed. by Ren{'e} Weis, Oxford Worldʼs Classics (Oxford: Oxford University Press, 1996)

Webster, John, The White Devil, ed. by John Russell Brown, 2nd edn, Revels Plays (London: Methuen, 1960; repr. 1966)

Weimann, Robert, Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and Function (Baltimore, London: John Hopkins University Press, 1978)

Weimann, Robert, Authorʼs Pen and Actorʼs Voice: Playing and Writing in Shakespeareʼs Theatre (Cambridge: Cambridge University Press, 2000)

Wells, Stanley, Modernizing Shakespeareʼs Spelling (Oxford: Clarendon Press, 1979)

Whitney, Geffrey, A Choice of Emblemes and Other Devises (Leyden, 1586; repr. Amsterdam, New York: Da Capo Press, 1969)

Wickham, Glynne, Early English Stages 1300 to 1660, 3 vols (London: Routledge and Kegan Paul; New York: Columbia University Press, 1959-81)

Wiggins, Martin, Shakespeare and the Drama of his Time (Oxford: Oxford University Press, 2000)

Wiggins, Martin, ‘A Choice of Impossible Things: Dating the Revival of The Battle of Alcazarʼ, from Shakespeare & Ses Contemporains: Soci{'e}t{'e} Française Shakespeare, Actes du Congr{`e}s de 2002 (Paris: Soci{'e}t{'e} Française Shakespeare, 2002)

Wiggins, Martin, ed., British Drama 1533-1642: A Catalogue, in association with Catherine Richardson, 10 vols (Oxford: Oxford University Press, 2011—)

Wiggins, Martin, ed., Four Jacobean Sex Tragedies, Oxford English Drama (Oxford: Oxford University Press, 1998)

Williams, Gordon, A Dictionary of Sexual Language and Imagery in Shakespearean and Stuart Literature, 3 vols (London, Atlantic Highlands, NJ: Athlone Press, 1994)

Wilson, Jean, The Archaeology of Shakespeare: The Material Legacy of Shakespeareʼs Theatre (Stroud: Sutton, 1995)

Wilson, Richard, Will Power: Essays on Shakespearean Authority (Hemel Hempstead: Harvester Wheatsheaf, 1993)

Wilson, Robert, The Cobblerʼs Prophecy (Oxford: Malone Society, 1914)

Wilson, Thomas, The Art of Rhetoric (1560), ed. by Peter E. Medine (Pennsylvania: Penn State University Press, 1994)

The Wisdom of Doctor Dodypoll, ed. by M. N. Matson (Oxford: Malone Society, 1965 for 1964)

Yamada, Akihiro, ‘A Proof-Sheet in An Humorous Dayʼs Mirth (1599) Printed by Valentine Simmesʼ, The Library, 5th series, 21 (1966), 155-57

Yamada, Akihiro, ‘Bibliographical Studies of George Chapmanʼs An Humorous Dayʼs Mirth (1599)ʼ, Shakespeare Studies (The Shakespeare Society of Japan), 5 (1966-67), 119-49

Yamada, Akihiro, ‘Variants and Bibliographyʼ, The Library, 1 (1979), 255-64

Yamada, Akihiro, Thomas Creede: Printer to Shakespeare and His Contemporaries (Tokyo: Meisei University Press, 1994)